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tv   [untitled]    December 12, 2010 1:30pm-2:00pm PST

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highest compliment to say that your a local hero -- you are a local hero. the center for youth services does matter. it is a healthy identity for urban youth. this award makes me want to work that much harder to maintain the integrity of the program in a time of financial uncertainty. think you very much. -- thank you very much. [applause] [applause] >> all right. getting ready to wrap up.
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you guys haven't heard a joke in awhile, have you? any comanches out there? it's a comanche joke. this man, he had lost his sight so he was walking around with a white cane. he came up to this committee restaurant, and it serves only comanches. comanche owned and operated. he has a seat and says, i would like some biscuits and gravy. the waiter took his order. he yells out, anybody want to hear a comanche joke?
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it got real quiet. the waiter comes back over and says, before you tell the joke, i want to make sure that you know we know you're blind. there are five things you need to know before you tell the jokes. the comanche says, the cook is comanche. he has a baseball bat. second, that bouncer by the door is comanche. third, there is a six-foot five- inch, 275-pound comanche man over there with a black belt in karate. that man next to you is a
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professional wrestler, a comanche. the comanche on the other side of you, he's a professional weight lifter. after hearing these five things, my friend, but you still want to tell that comanche joke? the man pauses for a second, shakes his head, no. not if i will have to explain at five times. [laughter] all right. getting ready to close this up, i want to send out a special shout out to kqed, public
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broadcasting. the native american health center. native american aids project. the mayor's office right here in san francisco, neighborhood services. i would like to mention that the native american aids project, very close. the two spirits. my cousin, probably one of the first native americans to pass away with aids. from my family to you, thank you. thank you, thank you. [applause]
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an appropriate flag song, and a quitting song. please stand if you're able. these songs, long before the star spangled banner. this nation's national anthem. our native people. they sang these songs. it pays homage to the first of this land. our eagle staff. these flags, the national
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standard. our american flags. our eagle staff fought on the same battle fields. today, they stand side by side with each other. remember our veterans with these songs as well. [singing and chanting]
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given up one more time for the singers, dancers, veterans. leaders in our native american community as well. calling up joaquin to present the native american health center with a mayoral proclamation. >> we share a responsibility for vibrant communities, and we have an opportunity to share recognition. last year, the native american aids project honored november as native american heritage month, and we will receive the
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proclamation from mayor newsom. we are proud to be partners with kqed. let's thank them. thank you so much for your hard work. thank you to the native american aids project for bringing the spirit into the room. thank you for all of our dancers, singers, but veterans, we salute you. on behalf of mayor newsom, the city and county of san francisco, we proclaim november 2010 as american indian heritage month in san vances go. -- san francisco. thank you very much. [applause] >> we are asking the four honorees to come on up.
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photo-op. it's not really over yet. until i say so. we give thanks this day, the opportunity to gather and honor our own today. blessings upon all those as they travel home
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>> welcome to "culture wire." today we're headed to smpling f. camera works, a premiere venue for artists working in photographer, video, and digital media. the latest exhibition lists clearness as a set of political alliances and possibilities that it is behind the sphere of dominant gay and lesbian culture. the curator fills us in on the process of creating this thoughtful exhibition. and what she would like you to take away from it. >> i co-cureated with danny, a chicago-based writer and curator. the conceptual framework is what it means to be clear and radical for our generation. clearness as a set of political alliances and possibilities, not necessarily related to institutions of gender and swam
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formativity. danny and i wanted the show to feel funky and to have a really tangible quality to it. so part of that was incorporated handmade objects and installations and beautifully printed photographs and videos. there is also a lot of opportunities to participate and to take postcards or to get the photo taken or sit within a tent made out of afghan blankets to watch videos. the exhibition is organized in three distinct galleries. in gallery one, which is the gallery designated to clear activism, there is an installation by the oakland-based collaboration and it's called "unleashed power."
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it's all focused on one protest that happened in chicago in 1991 with the activist organization act up, which was protesting the inadequate health care for people living in aids, and specifically it focuses on an act of police violence that occurred at that protest. the thing that is really interesting for me about that piece is that it brings us back 20 years to what clear activism looked like at the height of the aids crisis. gallery two features work that is related to intentionally communities that exist both within cities, also in rural spaces, and transient communities as well. the return features a no madic clear tribe, the people who join this tribe are often in various states of transition themselves, whether it's
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leaving behind previous gender assignments or corporate jobs or a life within cities. a lot of the work featured in the exhibition and a lot of the installations are handmade objects. there is a lot of do-it-yourself aesthetic and that handmade do-it-yourself feeling is something that mimics the idea and the reality of the alternative world making that we're trying to represent here as far as the self-sufficient community goes. gallery three features work that relates to the ideas of self-determinenism, alternative world making and utopia. visits can still participate in this -- visitors can still participate in this project. during the opening, we invite
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visitors to come in and try on these costumes, pose in front of the backdrop. he was really inspired by comic books that he read as growing up and thinks of this space as a post-apocalyptic monster portrait gallery where people can remain genderless once they put on the costumes. we think it's important that this be happening in san francisco, which is considered an ekpe center of the queer actual cure. the majority of the queer cultural events happen in june which has been designated as the pride month. which to me translates as the period of time in which people can be in clear arts and culture. in september, it's hashingening back to tha and proving that this is something that is scon
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significantly happening all the time. what danny and i hope visitors take away from this exhibition is to observe the diversity within the designation of queer in terms of race, in terms of gender presentation and intergenerational perspective of what it means to be queer as well as what it means to exist and be active and work in solidarity with people whose identities may or may not look like yours. >> welcome to culture wire.
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the arabs don't possible has bringing you the best of the arab film to the bay area. this year's festival is no exception. consider the most important arab film festival outside of the arab world, the festival offers a rare window to the arab world and its diverse community. featuring 24 films from over 18 countries, it is also one of the only four runs that showcases new works by established and emerging arab filmmakers. the possible films in four cities. in addition, the festival organizers a film series for high-school students free of charge. this year's lineup offers
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something for everyone, including shorts, documentary's, comedies, and dramas. >> [speaking arabic] the mission of the arab film festival, since it its inception in 1996, and it came about -- members of our community realized there was stereotyping of arabs in the media, and they wanted to change that proactively. they wanted to use the power of film to bring in the stories, to
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bring in authentic images and narratives of the arab world, here to american audiences, in order to fight the negative stereotyping, and to introduce the positive, authentic images to america, which iraq california, -- throughout california, a teasing familiarity, establishing harmony between our communities. the selection this year it is really a good selection. it is perverse, comes from more than 18 countries. it has a bit of everything for everyone. -- it is diverse, comes from more than 18 countries. there are shorts, and from us, comedies, you name it.
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this year, the film festival takes place in the castro. there is a comedy film from nigeria that is pretty hilarious. you can get to know arabs threw their laughing as well. [speaking in foreign language] >> when you come to see all the diversity, nationality, ethnic, skin color, dialect, anything that you can think of, that world is very rich in diversity. we are trying to represent that diversity so people can see the different parts of the arab world.
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[speaking in arabic] >> people should participate in the festival because of the benefits they can get. first, the educational benefit of learning about the stories of the arab world. diverse stories. people in the united states sometimes think of the arab world as a lump sum. what is good about the arab film festival is the also have a festival for the school's program, which we have films where we invite free of charge, i schoolers to come and attend. every year, high schoolers to go out really with a good experience, attending and watching these films. the arab film festival is not only about the festival in october. we also have year-round programs. check out the film festival to
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run the year, not just in the fall. -- throughout the year, not just in the fall. the best thing that somebody can take away from the arab on festival is the arab cinema is talent. it is beautiful. the stories have that they represent are good stories, beautiful stories. also, the art form is beautiful and well made. >> for a complete film schedule and to learn more about the arab film festival, visit >> the san francisco arts commission's public arts program made a big splash in the civic center with the world premiere
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of three heads, six arms. the artist came from shanghai to help us celebrate the unavailing. we had a chance to speak with him about his work. >> the san francisco arts commission is pleased to be celebrating their relationship between san high and san francisco. the shanghai and san francisco. this is a 30 relationship that stretches back to win dianne feinstein was the mayor of san francisco. we premiered a new work of art here in san francisco called the
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three heads, six arms. welcome to san francisco. thank you for bringing your extraordinary sculpture. can you tell me about what inspired you to create this sculpture? >> this started with some trips that i took years ago. i went to to bed and i saw a lot of statues and i started to really feel the spiritual life of people in tibet. it really inspires me and i went back to shanghai and i started the creation of this. >> we see that one of the heads
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of the bullet it is your face. can you talk about the significance of that? -- we see that one of the heads of the buddha is your face. >> i started doing public art almost 10 years ago. what i want to express this as an extension of my our practice. this is an accumulation of my own experience as a performance artist. >> we see that the scale is very important. we have seen other works where a limb of this culture is on the floor but everything is very big and large scale. what are you trying to
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accomplish with expanding the scale of these images to such a great size. >> i wanted to make large scale art and see how this plays a role in contemporary society. i think that is the mission of contemporary art, to serve as a social critique. >> when the mayor knew some -- when mayor newsom join you in dedicating this, they wanted to find a work that was big and bold. he was so pleased with your
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participation that he made you an honoraria citizens of san francisco for the next 18 months. the public reaction has been very positive. what is your reaction of how people receive your sculpture? >> i think that san francisco has a long history. this gigantic sculpture is in front of the civic center. i know that that is not the kind of a go with whole environment. there is an exchange with the american culture and the asian american culture and the asian culture which has created this


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